Where do those “Streets of Gold” Lead?

Talk of heaven as “Pearly Gates” and “Streets of Gold” has largely given way in popular culture to sentimentality about family reunions.

The older version at least had the virtue of some tenuous scriptural roots and as being kind of an obvious stand-in for “more fabulous than we can even imagine.” The newer version lacks either of those and lacks roots in the historic tradition of the Church.

What I think is more accurate is that when you’ve passed the Pearly Gates and walked down that Street of Gold, you get not to a picnic shelter for a family reunion, but to a Temple (e.g., Revelation 1:12-17).

More relevant to my own religious life before Orthodoxy, the Streets of Gold don’t lead to a dorm room for a bull session.

Calvinism, my home for twenty years before Orthodoxy, loved thought and talk. I talked, back in my pipe-smoking days, of heavenly hunkering down with C.S. Lewis, a pint and a pipe, for some conversation (in which, oddly, I was not his equal but neither did he view it as an imposition). Calvinism’s thought was pretty serious – I don’t think it’s a coincidence that Calvinism claims Nicholas Wolterstorff, Alvin Plantinga, and other world-class Philosophers – but it’s disembodied, deracinated, and somehow unreal even if it’s a tight package with few loose ends.

The realizations, first, that I had not been doing much to get ready for a heavenly Temple, where God was worshipped and that just wasn’t at all about me or fulfilling my fantasies and, second, that I wasn’t sure that my Church knew how one does get ready (beyond the famous “Sinner’s Prayer” and “catechism preaching”) were part of what propelled me out of Calvinism and into Orthodoxy. It’s hard to rank that among the causes, but it certainly was one, and very consciously so.

I most definitely did not want to end up like those in C.S. Lewis’ Great Divorce who got back on the bus and returned to the alienation of Hell in preference to a Heaven that had no room for grudges, intellectual pretensions, or pride.

I’ll leave it there for now. I may or may not pick it back up.

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I was surprised and sort of pleased to hear Jim DeMint, late of the U.S. Senate, now of Heritage Foundation, saying things on All Things Considered about “small platoons” and the federal government sticking to things like national defense that are its core responsibilities, letting the rest of us be diverse and even eccentric if we wish.

Dare I believe a word of it? Must I retract my snarkiness toward the Heritage Foundation, which I thought was on a big slide?

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I was also pleased to find local poet Marianne Boruch writing a sort of essay (prose poem?) in the December Poetry Magazine. Special bond, sort of, as she alludes to her musical son, who (if she’s referring to the son I know) was a very fine teenage cellist – good enough to consider it as a vocation – ten years or so ago, when he performed with Tippecanoe Chamber Music Society.

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“The remarks made in this essay do not represent scholarly research. They are intended as topical stimulations for conversation among intelligent and informed people.” (Gerhart Niemeyer)

Some succinct standing advice on recurring themes.

Food from the “garbage pail”

Thank goodness, the NFL has spared us anything nasty at Superbowl halftime, like Janet Jackson’s nipple.

Instead we had that nice, clean-shaven young man, Bruno Mars, with wholesome lyrics like … oh. I hadn’t noticed.

Never had much faith in love or miracles
Ooh!
Never wanna put my heart on the line
Ooh!
But swimming in your water is something spiritual
Ooh!
I’m born again every time you spend the night
Ooh!

‘Cause your sex takes me to paradise
Yeah, your sex takes me to paradise
And it shows, yeah, yeah, yeah

Gee, thanks for nothing, NFL.

Truth be told, I don’t follow pop music – not even to tut-tut about it. (H/T or Tut-Tut credit to Fr. Josiah Trenham) I don’t follow the spectacle of sport (unless Purdue men are winning at basketball this year). I don’t watch much commercial TV.

I wish I could say it was because of high principle, like refusing to let my eyes and ears and soul be sold to manufacturers intent on multiplying sovereign desire. Alas, it’s because I find it boring, and generally feel a twinge of Calvinist guilt that I’ll never see those 30 or 60 minutes again, and have nothing to show for them beyond an odd urge for a Whopper or a trip to the Mall.

All that, plus sometimes, like if I’d seen those lyrics on close captioning, I feel rage, or the need to shower off the slime. “Like looking for food in a garbage pail when there’s so much wholesome food around you already,” a wise father said to his son, who solemnly, mendaciously, insisted “I read Playboy for the articles” some 45 years ago.

So I overlooked Leonard Cohen for, well, decades until I stumbled onto him within the last ten or so years. If I heard the name at all, I took him for just another occupant of the pop music garbage pail, with no reason to think he was even a cut above, let alone near-genius.

Harpers has extracted a tasty Leonard Cohen bit from the archives not of pop music, but of poetry: Pico Iyer writes about Leonard Cohen’s performance at 92Y in New York City on February 14, 1966. It’s accompanied by 52:34 of streaming audio.

Pico Iyer’s an artist in his own right. So, if you hadn’t yet noticed (as I hadn’t), is Leonard Cohen. Enjoy the brief essay and the audio stream. Yes, it’s 52:34 you’ll never see again, but unless you think poetry is always and everywhere a waste of time, it’s worth it.

But beware. Adolescent boys might enjoy it for the wrong reasons: it’s got nipples.

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“The remarks made in this essay do not represent scholarly research. They are intended as topical stimulations for conversation among intelligent and informed people.” (Gerhart Niemeyer)

Some succinct standing advice on recurring themes.

A Very Unsentimental Christmas Poem

This little Babe so few days old, is come to rifle Satan’s fold;
All hell doth at His presence quake, though He Himself with cold do shake;
For in this weak unarmed wise the gates of hell He will surprise.

With tears He fights and wins the field, His naked breast stands for a shield;
His battering shot are babyish cries, His arrows looks of weeping eyes,
His martial ensigns Cold and Need, and feeble flesh His warrior’s steed.

His camp is pitched in a stall, His bulwark but a broken wall;
The crib His trench, haystacks His stakes; of shepherds He His muster makes;
And thus, as sure His foe to wound, the angels’ trumps alarum sound.

My soul, with Christ, join thou in fight; stick to the tents that He hath pight.
Within His crib is surest ward; this little Babe will be thy guard.
If thou wilt foil they foes with joy, then flit not from this heavenly Boy.

Robert Southwell, 16th Century. Benjamin Britten brilliantly set this to properly martial music.

This is the Babe a few decades later, Christ Pantocrator (the All-Conquering):

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